The cultural commodification of identity : hip-hop authenticity
Resource Information
The work The cultural commodification of identity : hip-hop authenticity represents a distinct intellectual or artistic creation found in University of Missouri-Kansas City Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
The cultural commodification of identity : hip-hop authenticity
Resource Information
The work The cultural commodification of identity : hip-hop authenticity represents a distinct intellectual or artistic creation found in University of Missouri-Kansas City Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- The cultural commodification of identity : hip-hop authenticity
- Title remainder
- hip-hop authenticity
- Statement of responsibility
- by Rachel K. Quick
- Subject
-
- Advertising in popular culture
- African Americans -- Cultural assimilation
- African Americans -- Race identity
- Dissertations, Academic -- University of Missouri--Columbia -- Communication
- Electronic books
- Electronic bookss
- Electronic dissertations
- Hip-hop -- Influence
- Advertising and youth
- Mass media and music
- Rap musicians -- United States
- Subculture
- Hip-hop -- Marketing
- Language
- eng
- Summary
- Using the framework of symbolic interactionism, the concept of meaning, when discussing the relationship between hip-hop cultural members and how hip-hop culture is represented in advertisements, can be shaped by certain elements concerning a cultural authenticity. This is shown by how hip-hop cultural members make meaning of the images and messages that derive from commercial advertisements with a hip-hop influence on claims of what is an authentic cultural hip-hop identity. The present study investigated how portrayals of hip-hop artists in U.S. television commercials represented a hip-hop identity, using the analysis of McLeod's (1999) dimensions of hip-hop authenticity. A content analysis of 102 commercials was conducted to explore the relationship between each dimension of hip-hop authenticity and the categories of rap genre, race, and gender of the hip-hop artist featured in the advertisement. There were four significant findings. First, political hip-hop artists geared their message to the Black audience, and secondly, emphasized their connection to the community from which they came more than popular hip-hop artists. Third, Black hip-hop artists' exhibited masculine mannerisms more than White hip-hop artists. Lastly, male hip-hop artists significantly presented more masculine mannerisms than feminine, and female hip-hop artists expressed more feminine mannerisms than masculine; which suggests that there are certain elements involved in gender role performances surrounding hip-hop culture
- Cataloging source
- MUU
- Degree
- M.A.
- Dissertation year
- 2011.
- Granting institution
- University of Missouri--Columbia
- Illustrations
- illustrations
- Index
- no index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- theses
- Target audience
- specialized
Context
Context of The cultural commodification of identity : hip-hop authenticityWork of
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