Coverart for item
The Resource Stillness in motion : Italy, photography, and the meanings of modernity, edited by Sarah Patricia Hill and Giuliana Minghelli, (electronic resource)

Stillness in motion : Italy, photography, and the meanings of modernity, edited by Sarah Patricia Hill and Giuliana Minghelli, (electronic resource)

Label
Stillness in motion : Italy, photography, and the meanings of modernity
Title
Stillness in motion
Title remainder
Italy, photography, and the meanings of modernity
Statement of responsibility
edited by Sarah Patricia Hill and Giuliana Minghelli
Contributor
Subject
Language
eng
Related
Member of
Cataloging source
NLC
Dewey number
770.94509/04
LC call number
TR79
LC item number
.S76 2014
http://library.link/vocab/relatedWorkOrContributorDate
1971-
http://library.link/vocab/relatedWorkOrContributorName
  • Minghelli, Giuliana
  • Hill, Sarah Patricia
Series statement
Toronto Italian studies
http://library.link/vocab/subjectName
  • Photography
  • Photography
  • Italy
  • Italy
  • Photographie
  • Photographie
  • Civilization
  • Photography
  • Photography
  • Italie
  • Italie
  • Italy
Label
Stillness in motion : Italy, photography, and the meanings of modernity, edited by Sarah Patricia Hill and Giuliana Minghelli, (electronic resource)
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 349-372)
Contents
  • Eternal speed/omnipresent immobility: futurism and photography
  • Guiliana Minghelli
  • Part two:
  • Modern memory objects: social histories of the photograph
  • The peripatetic portrait: exchange and performance in migration photographs at the turn of the nineteenth century
  • Giorgia Alù
  • Presente! The latent memory of Italy's great war in its photographic portraits
  • Luca Cottini
  • Part three:
  • Photography and the acceleration of modernity: reality-commodity-violence
  • Introduction
  • Italian neo-realism between cinema and photography
  • Barbara Grespi
  • Photographic excess: "scandelous" photography in film and literature after the boom
  • Sarah Patricia Hill
  • Images of violence, violence of images: the "years of lead" and the practice of armed struggle between photography and video
  • Christian Uva
  • Part four:
  • Critiques of modernity: stillness, motion, and the ethics of seeing
  • The body in and of the image in the films of Yervant Gianikian and Angela Ricci Lucchi
  • Robert Lumley
  • Sarah Patricia Hill and Giuliana Minghelli
  • Intersections of photography, writing, and landscape: the Italian landscape photobook from Ghirri to Fossati and Messori
  • Marina Spunta
  • Part five:
  • Documents and experiences
  • A photograph
  • Umberto Eco
  • Essays: Photography and the ready-made and Apollo and Daphne: a myth for photography
  • Franco Vaccari
  • Interview with Franco Vaccari
  • Giuliana Minghelli
  • Part one:
  • National beginnings and modernist fears
  • Photography and the construction of Italian national identity
  • Roberta Valtorta, with Sarah Patricia Hill and Giuliana Minghelli
  • Local colour and the grey aura of modernity: photography, literature, and the social sciences in Fin-de-Siècle Italy
  • Maria Grazia Lolla
Control code
OCM1bookssj0001472780
Dimensions
unknown
Isbn
9781442649330
Isbn Type
(bound)
Lccn
2015300564
Specific material designation
remote
System control number
(WaSeSS)bookssj0001472780
Label
Stillness in motion : Italy, photography, and the meanings of modernity, edited by Sarah Patricia Hill and Giuliana Minghelli, (electronic resource)
Publication
Bibliography note
Includes bibliographical references (pages 349-372)
Contents
  • Eternal speed/omnipresent immobility: futurism and photography
  • Guiliana Minghelli
  • Part two:
  • Modern memory objects: social histories of the photograph
  • The peripatetic portrait: exchange and performance in migration photographs at the turn of the nineteenth century
  • Giorgia Alù
  • Presente! The latent memory of Italy's great war in its photographic portraits
  • Luca Cottini
  • Part three:
  • Photography and the acceleration of modernity: reality-commodity-violence
  • Introduction
  • Italian neo-realism between cinema and photography
  • Barbara Grespi
  • Photographic excess: "scandelous" photography in film and literature after the boom
  • Sarah Patricia Hill
  • Images of violence, violence of images: the "years of lead" and the practice of armed struggle between photography and video
  • Christian Uva
  • Part four:
  • Critiques of modernity: stillness, motion, and the ethics of seeing
  • The body in and of the image in the films of Yervant Gianikian and Angela Ricci Lucchi
  • Robert Lumley
  • Sarah Patricia Hill and Giuliana Minghelli
  • Intersections of photography, writing, and landscape: the Italian landscape photobook from Ghirri to Fossati and Messori
  • Marina Spunta
  • Part five:
  • Documents and experiences
  • A photograph
  • Umberto Eco
  • Essays: Photography and the ready-made and Apollo and Daphne: a myth for photography
  • Franco Vaccari
  • Interview with Franco Vaccari
  • Giuliana Minghelli
  • Part one:
  • National beginnings and modernist fears
  • Photography and the construction of Italian national identity
  • Roberta Valtorta, with Sarah Patricia Hill and Giuliana Minghelli
  • Local colour and the grey aura of modernity: photography, literature, and the social sciences in Fin-de-Siècle Italy
  • Maria Grazia Lolla
Control code
OCM1bookssj0001472780
Dimensions
unknown
Isbn
9781442649330
Isbn Type
(bound)
Lccn
2015300564
Specific material designation
remote
System control number
(WaSeSS)bookssj0001472780

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